On ‘Into The Woods’ Aviv Yaron Ltd provided VFX photography for Digi-Double, Environment, Props and Textures.
‘Editions’ exhibition launching Uncertain States and Four Corners Print Sale
Private view: 6.30 – 8.30pm, Thursday 26 June 2014
Gallery opening times: 10.00 – 6.00pm, Monday – Saturday, or by appointment.
Exhibition runs from 27 June – 25 July 2014
I finally got a chance to go through the vast amount of equipment I have accumulated throughout the years and decided to offer some of it for sale.
Please click here to see more details.
‘…Plates that would form views looking out from inside the glass windows were gathered by Johnson and visual effects photographer Aviv Yaron. Together they scouted various Moscow rooftops and vantage points for suitable angles…
“One of the places we shot from,” adds Johnson, “was a bizarre oligarch’s restaurant on one of the towers in the area which was a glassed-in fancy restaurant. In fact, we had to wait for some Russian billionaires to finish their dinner at two in the morning before we could go in there and photograph. I do spend an awful lot of time on rooftops. Aviv and I were going to do a coffee-table book of ‘panoramas from rooftops around the world.’”…’
On ‘The Monuments Men’ Aviv Yaron’s VFX photography was mainly used to generate environments — originally shot in Berlin and Paris.
On ‘Simon the Ogre’ Aviv Yaron Ltd provided Realise Studio with the VFX photography for the Digi-Double work.
On ‘Jack Ryan: Shadow Recruit’ Aviv Yaron’s VFX photography was mainly used to generate environments — originally shot in Moscow, New York and Liverpool. Some of this work could be seen in the trailer:
L’ASSENZA has been nominated for Best British Short — BIFA 2013