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Gramercy Park Studios Takes Flight through the Louvre Museum

“…Because we were going to build the ceiling of the second room entirely in CGI, Aviv Yaron joined us and conducted a special photoshoot of the ceiling with panoramic equipment, including a panoramic head. Yaron is one of the most experienced VFX/CGI photographers I’ve ever met and works with his own gear…The images here show all of the calibrated cameras and the resulting 3D mesh, and a textured version. It’s not the final version, but it gives a clear idea of the quality we were able to get from the excellent photos that Aviv had taken….”

Gramercy Park Studios Takes Flight through the Louvre Museum


OMD Innovation Week

‘…One of the highlights on day four of [OMD] Innovation Week…was delving behind the scenes into how Microsoft brought the multi award-winning Channel 4 Humans campaign to life… along with Sam and Aviv – the cutting edge specialists in their fields of visual effects, photography and CGI…’


Dulux ‘Colourless future’

Dulux‘s latest film’Colourless future’ is set 30 years in the future when our world has forgotten colour.
Aviv Yaron Ltd. provided the VFX photography for the environment work on this project (and some set props).

Advertising Agency: BBH
Production Company: Somesuch
Director: Daniel Wolfe
VFX/Post Production: Glassworks
Environment DMP: Seung Ho Henrik Holmberg (Somnio Studios Ltd.)

Dulux ‘Human Dome Painter’

A group of Dulux commercials was the reason I recently spent a week in Kiev – shooting environments, set extensions and textures to support the creative team at Glassworks.

More from ‘Into The Woods’

On ‘Into The Woods’ Aviv Yaron Ltd provided VFX photography for Digi-Doubles, Environment, Props and Textures.

Into The Woods

On ‘Into The Woods’ Aviv Yaron Ltd provided VFX photography for Digi-Double, Environment, Props and Textures.

Equipment For Sale

I finally got a chance to go through the vast amount of equipment I have accumulated throughout the years and decided to offer some of it for sale.

Please click here to see more details.

Russian roulette: Jack Ryan: Shadow Recruit

‘…Plates that would form views looking out from inside the glass windows were gathered by Johnson and visual effects photographer Aviv Yaron. Together they scouted various Moscow rooftops and vantage points for suitable angles…

“One of the places we shot from,” adds Johnson, “was a bizarre oligarch’s restaurant on one of the towers in the area which was a glassed-in fancy restaurant. In fact, we had to wait for some Russian billionaires to finish their dinner at two in the morning before we could go in there and photograph. I do spend an awful lot of time on rooftops. Aviv and I were going to do a coffee-table book of ‘panoramas from rooftops around the world.’”…’



The Monuments Men

On ‘The Monuments Men’ Aviv Yaron’s VFX photography was mainly used to generate environments – originally shot in Berlin and Paris.

Jack Ryan: Shadow Recruit

On ‘Jack Ryan: Shadow Recruit’ Aviv Yaron’s VFX photography was mainly used to generate environments – originally shot in Moscow, New York and Liverpool. Some of this work could be seen in the trailer:

Into The Woods

Sample and Hold (http://www.sampleandhold.co.uk/) and Aviv Yaron Ltd. have collaborated on ‘Into The Woods’ to further refine the procedure of scanning and texture shooting for Digital Doubles. We have reduced the time we spent with the principle actors/actresses to 15min-20min, whilst improving the coherency of the shoot and scan data. This, hopefully, will also support a better efficiency during Post-production too.

First Look At Russian Zombie; Plus VFX Breakdown With Digital Zombies

‘…Cinesite’s environment team decided that to give the “realest” look they would base the CG as much as possible on photographed reality. Cinesite VFX supervisor Matt Johnson and VFX photographer Aviv Yaron took extensive reference photographs of buildings in and around Philadelphia which were digitally projected onto geometry. The buildings were then placed in layouts in Nuke and fitted into the original Glasgow plates…’