by Aviv Yaron | Mar 3, 2022 | Uncategorized, VFX Photography - Advertising, VFX Photography - Commercials, VFX Photography - Feature Films
The horrific events regarding Ukrain, remind me of the people I got to know whilst working on a commercial shoot, back in 2014. They must be living through hell, as I write these words, and for the foreseeable future – hour by hour, day by...
by Aviv Yaron | Dec 11, 2021 | VFX Photography - Advertising, VFX Photography - Art, VFX Photography - Commercials, VFX Photography - Feature Films
by Aviv Yaron | Jul 18, 2020 | VFX Photography - Feature Films, VFX Photography - Theme Park
On ‘The Bourne Stuntacular’ Aviv Yaron photographed, in both Turkey and Morocco, very high resolution environment and texture elements for a CG background – later, to be projected via a 130 feet (40m) wide and 28 feet (8.5m) tall LED screen, as part...
by Aviv Yaron | Dec 22, 2019 | VFX Photography - Advertising, VFX Photography - Commercials, VFX Photography - Feature Films, VFX Photography - Shorts
by Aviv Yaron | Dec 16, 2018 | VFX Photography - Feature Films
Very privilaged to have seen ‘Mary Poppins Returns’ yesterday, at the Cast & Crew screening. Many congratulations to all who took part in it.
by Aviv Yaron | Sep 19, 2018 | VFX Photography - Feature Films
On ‘Mary Poppins Returns’ Aviv Yaron Ltd provided VFX photography for environment work.
by Aviv Yaron | Jun 1, 2018 | VFX Photography - Feature Films
On ‘Robin Hood’ (2018) Aviv Yaron Ltd provided VFX Photography for CGI environment work, Set Extension/Texture, Digi-Doubles and Props/Weapons Textures.
by Aviv Yaron | Mar 6, 2018 | VFX Photography - Feature Films
Aviv Yaron is privileged to have a credit for VFX Photography on ‘Blade Runner 2049’. Many congratulations to the winning VFX teams.
by Aviv Yaron | Mar 17, 2017 | VFX Photography - Feature Films
I had the pleasure of doing some VFX Photography work on the film – texture photography sessions of principle actors, stunt people and crowed, as well as photographing textures of props, wardrobe and weapons.
by Aviv Yaron | Feb 9, 2016 | Uncategorized, VFX Photography - Feature Films
On ‘Pride And Prejudice And Zombies’ Aviv Yaron Ltd provided VFX photography for on-set textures and set extensions.
by Aviv Yaron | Dec 13, 2015 | VFX Photography - Feature Films
On ‘Now You See Me 2’ Aviv Yaron Ltd provided VFX photography for Environment (London, New York, Macau), on set Digi-Double, Props, Textures and environment capture for Virtual Tour of the set of the Magician Shop.
by Aviv Yaron | Nov 12, 2014 | VFX Photography - Feature Films
On ‘Into The Woods’ Aviv Yaron Ltd provided VFX photography for Digi-Doubles, Environment, Props and Textures.
by Aviv Yaron | Aug 19, 2014 | VFX Photography - Feature Films
On ‘Into The Woods’ Aviv Yaron Ltd provided VFX photography for Digi-Double, Environment, Props and Textures.
by Aviv Yaron | Mar 6, 2014 | VFX Photography - Feature Films
‘…Plates that would form views looking out from inside the glass windows were gathered by Johnson and visual effects photographer Aviv Yaron. Together they scouted various Moscow rooftops and vantage points for suitable angles… “One of the places we...
by Aviv Yaron | Jan 26, 2014 | VFX Photography - Feature Films
On ‘The Monuments Men’ Aviv Yaron’s VFX photography was mainly used to generate environments – originally shot in Berlin and Paris.
by Aviv Yaron | Jan 24, 2014 | VFX Photography - Feature Films
On ‘Jack Ryan: Shadow Recruit’ Aviv Yaron’s VFX photography was mainly used to generate environments – originally shot in Moscow, New York and Liverpool. Some of this work could be seen in the trailer:
by Aviv Yaron | Nov 12, 2013 | VFX Photography - Feature Films
Sample and Hold (http://www.sampleandhold.co.uk/) and Aviv Yaron Ltd. have collaborated on ‘Into The Woods’ to further refine the procedure of scanning and texture shooting for Digital Doubles. We have reduced the time we spent with the principle...
by Aviv Yaron | Sep 13, 2013 | VFX Photography - Feature Films
‘…Cinesite’s environment team decided that to give the “realest” look they would base the CG as much as possible on photographed reality. Cinesite VFX supervisor Matt Johnson and VFX photographer Aviv Yaron took extensive reference photographs of buildings...
by Aviv Yaron | Jul 29, 2013 | VFX Photography - Feature Films
‘…The story begins in Philadelphia, but the only photography actually captured there was undertaken by Matt and visual effects photographer Aviv Yaron during a comprehensive photo shoot…’...
by Aviv Yaron | Jul 11, 2013 | VFX Photography - Feature Films
http://www.digitalartsonline.co.uk/news/motion-graphics/world-war-zs-vfx-in-pictures/
